Albums

Albums

Disturbed Bits 010
pmc019 - 2001

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The second set of five use pure granular superimposition to build tracks, with a different approach to most users of granular synthesis.

Disturbed Bits 009
pmc018 - 2001

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The second set of five use pure granular superimposition to build tracks, with a different approach to most users of granular synthesis.

Disturbed Bits 008
pmc017 - 2001

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The second set of five use pure granular superimposition to build tracks, with a different approach to most users of granular synthesis.

Disturbed Bits 007
pmc016 - 2001

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The second set of five use pure granular superimposition to build tracks, with a different approach to most users of granular synthesis.

Disturbed Bits 006
pmc015 - 2001

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The second set of five use pure granular superimposition to build tracks, with a different approach to most users of granular synthesis.

Broken Aesthetic
pmc014 - 2001

An album of electronic and electro-accoustic music. Ranges for more chilled out pieces such as the static meditation of Tuning Into Your Own Frequency to the full overdriven loops sound of Broken Aesthetic.

Wood, Brass, Nylon
pmc013 - 2001

Eight part album of improvised acoustic guitar music. A favourite of many.

Dark adult pleasures, snake music, magic garden
pmc012 - 2001

A whole variety of pieces electronic and acoustic, rhythmic and freeform, progress through a series of moods.

Disturbed Bits 005
pmc011 - 1999

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The first five work the power of running sounds over top of themselves to bring out certain interesting and powerful parts of them, long and involved explorations.

Disturbed Bits 004
pmc010 - 1999

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The first five work the power of running sounds over top of themselves to bring out certain interesting and powerful parts of them, long and involved explorations.

Disturbed Bits 003
pmc009 - 1999

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The first five work the power of running sounds over top of themselves to bring out certain interesting and powerful parts of them, long and involved explorations.

Disturbed Bits 002
pmc008 - 1999

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The first five work the power of running sounds over top of themselves to bring out certain interesting and powerful parts of them, long and involved explorations.

Disturbed Bits 001
pmc007 - 1999

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The first five work the power of running sounds over top of themselves to bring out certain interesting and powerful parts of them, long and involved explorations.

Starcrusher
pmc006 - 2000

A variety of huge warping samples, intermittent brain busting beats, scary drones, and a generally powerful and intense aesthetic. With a keyboard interlude.

Stone Cold and Gray
pmc005 - 2000

A dose of sloppy garage blues influenced rock, fucked up and angry. Minimal production and raw vocals have direct impact.