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Tangent Precipitate

Tangent Precipitate photo by Trish

A solo experimental project, of usually improvised music of different forms. I attempt to pull together elements in sound and music that interest me and excite my head to create work that is an original synthesis, and to try and capture the raw creative moment as well as I can. (more info)

This project has now been wound up and replaced with The Unknown Rockstar for the instrumental music, and Tangent has been revived for electronic music..

Creative Commons License
All albums on this page are licensed under a Creative Commons Attribution-Noncommercial 3.0 New Zealand License.

The mp3s are hosted in the postmoderncore collection at archive.org. Any CD-Rs you order come in a jewel case with high quality versions of the cover art on the website. Get in contact to discuss purchasing CDs, or to discuss licensing the music outside of the terms of the Creative Commons license.


driven by a private compulsion that threatens to overwhelm him
The moods, shades and places of the feedback drone interactions of three guitars explored, drawn into slow movement, complexity and drive.
2002 - PMC032
See also: [the dream country] [the martian canals] [Starcrusher] [afternoon and evening] [post-movement]
Please get in touch to discuss purchasing this album.

driven by a private compulsion that threatens to overwhelm him driven by a private compulsion that threatens to overwhelm him - 51:05

the dream country
This recording is deeply hypnotic, a miasma of huge pulses, a slow moving raft of shimmering tones.
2002 - PMC031
See also: [outside the inside] [Starcrusher] [driven by a private compulsion that threatens to overwhelm him] [the martian canals] [post-movement]
Please get in touch to discuss purchasing this album.

the dream country the dream country - 40:46

1989-everything
An involved journey through a series of sound/psychic/sample spaces.
2002 - PMC029
See also: [during the year of my nervous breakdown] [lines of fire] [destroying his name]
Please get in touch to discuss purchasing this album.

1989-everything 1989-everything - 55:37

post-movement
pulsing sine drones, databending, and other less and more abrasive noise.
2002 - PMC028
See also: [the dream country] [driven by a private compulsion that threatens to overwhelm him] [Starcrusher] [the martian canals] [interpreted]
Please get in touch to discuss purchasing this album.

post-movement post-movement 1 - 12:13

post-movement 2 - 8:07

post-movement 3 - 8:56

post-movement 4 - 8:03

post-movement 5 - 10:13


outside the inside
An album of keyboard/organ music. The first and third tracks are live recordings of a hammond, and the second track is "...a live recording of keyboard through delay, played with a mind for interlocking/interweaving figures and exploring overtones - i find that listening to it intently sets me in powerful trance states."
2002 - PMC027
See also: [fake ivory] [age of illumination] [the dream country] [wood, brass, nylon] [Starcrusher (esp. Solar Wind)]
Please get in touch to discuss purchasing this album.

outside the inside the world inside the world outside - 4:21

outside the inside - 42:00

the world outside the world inside - 5:58


destroying his name
2002 - PMC026
See also: [1989-everything] [during the year of my nervous breakdown] [lines of fire]
Please get in touch to discuss purchasing this album.

destroying his name sun needles - 2:04
a piece of cut up poetry, constructed from the ubu web collection.

picturesound004 - 1:54

destroying his name - 14:14
inspired by hearing an Everyman broadcast (as The Pan Cultural Medium) during which he talked about and used Dada techniques of running two vocal tracks against each other.

jimi hendrix - manic depression (winter of disconnection remix) - 9:31

blue danube (surreptitious mix) - 3:59

picturesound003 - 2:28

golden - hot (with the gentl sune remix) - 7:42

tongues of sheet metal flame - 5:08


lines of fire
CD of hand cut up improvised remixes of material by Tangent Precipitate and from other sources. Could be called plunderphonics improvised in real-time.
2002 - PMC025
See also: [1989-everything] [during the year of my nervous breakdown] [do this] [destroying his name]
Please get in touch to discuss purchasing this album.

lines of fire fleetwoodmac - drifting (lines of fire remix) - 9:33
From the Fleetwood Mac track Drifting.

squarepusher - red hot car (twitch flick remix) - 8:04
From the Square Pusher track My Red Hot Car (album Version).

settle for illusory success again (7power flowX remix) - 7:40
From a Tangent Precipitate track from the album within the range of hearing.

prescient passage (convergence remix) - 10:32
From an unreleased Tangent Precipitate guitar track.

venetian snares (brutal, sadistic remix) - 7:11
From the Venetian Snares tracks "A giant alien force more violent and sick than anything you can imagine", "Fate of icarus 234 (remix)" and "Nerco_ft_ill_bill-the_most_sadistic-snares_shiteating_remix".

mouth noises (drift remix) - 6:16
From an unreleased Tangent Precipitate recording.

radiant spectre (afresh remix) - 5:18
From an unreleased Tangent Precipitate guitar track.

grand theft auto (subluminal remix) - 3:16
From an game of Grand Theft Auto.

Wood, Brass, Nylon Part 3 (wrenched remix) - 9:35
From a Tangent Precipitate accoustic guitar track from the album Wood, Brass, Nylon.


89 samples
CD of 89 samples from various music, some chopped up and or effected. Suitable for straight through listening or random play. The CD/EP version of 89 Samples from interpreted (with a different order of samples).
Not available online.
2002 - PMC024
Please get in touch to discuss purchasing this album.

89 samples

89 tracks totaling 23:53


interpreted
2002 - PMC023
See also: [do this] [post-movement]
Please get in touch to discuss purchasing this album.

interpreted

open the hollow inside - 1:06

89 samples - 23:53
89 samples from various music, some chopped up and or effected.

ambient forcefield - 7:05

interpreted - 10:48


do this
Do This is an album with tracks in a mixture of styles. Do This itself is a collection of samples. Some of the other tracks are made up of samples, such as "i spent my night", which is a free jazz cutup. There is also some electronic music, and a track of keyboard music (i spent my day).
2002 - PMC022
See also: [interpreted] [lines of fire] [within range of hearing] [elevated states of consciousness]
Please get in touch to discuss purchasing this album.

do this

do this - 15:34

an optimism - 6:05

I spent my day - 10:53

I spent my night - 6:24
Free jazz made by improvised cutup of jazz tracks.

keep it together - 3:45

antidepressants - 3:29

a vision of behaviour - 13:34

guard - 6:13


within the range of hearing
A mixture of sample based styles, some sequenced, some more abstract. wood, brass, nylon part 2 (reclining remix) is a very beautiful remix of a guitar track from an earlier Tangent Precipitate album
2001 - PMC021
See also: [do this] [elevated states of consciousness]
Please get in touch to discuss purchasing this album.

within the range of hearing

unfocus - 7:33

babel - 5:12

assume power - 6:49

implications of force - 22:00

new direction for our bright shining future - 2:25

within the range of hearing - 3:19

laments - 2:10

wood, brass, nylon part 2 (reclining remix) - 5:15
Made from samples from Wood, Brass, Nylon part 2 on the album Wood, Brass, Nylon.

settle for illusory success again - 4:30


elevated states of consciousness
A variety of electronic and sample based music, from the rhythmically beautiful simplicity of elevated states of consciousness #001 to the more power electronic sample destroying sound of the way.
2001 - PMC020
See also: [do this] [within range of hearing]
Please get in touch to discuss purchasing this album.

elevated states of consciousness

elevated states of consciousness #001 - 6:26
A beautiful, simple and unusually rhythmically based piece for Tangent Precipitate.

process control - 2:29

artificial reality - 4:06

thought model - 3:48

daydreams of an england I've never known - 6:54

elevated states of consciousness #002 - 2:50

the way - 9:21

congruent - 8:02

lesson - 7:54

reevaluate - 3:48

elevated states of consciousness #003 - 8:48


Disturbed Bits 6-10
Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of it's parts" as it were. This is the second five I recorded, with quite different software to the first five, although some similar ideas. They tend to be shorter pieces than the first five.
disturbed bits #010 Disturbed Bits #010.001 - 15:41

Disturbed Bits #010.002 - 29:50
2001 - PMC019

Please get in touch to discuss purchasing this album.

disturbed bits #009 Disturbed Bits #009.001 - 15:17

Disturbed Bits #009.002 - 15:08

Disturbed Bits #009.003 - 15:28
2001 - PMC018

Please get in touch to discuss purchasing this album.

disturbed bits #008 Disturbed Bits #008.001 - 29:56

Disturbed Bits #008.002 - 15:17
2001 - PMC017

Please get in touch to discuss purchasing this album.

disturbed bits #007 Disturbed Bits #007.001 - 15:14

Disturbed Bits #007.002 - 14:38

Disturbed Bits #007.003 - 15:26
2001 - PMC016

Please get in touch to discuss purchasing this album.

disturbed bits #006 Disturbed Bits #006.001 - 45:59
2001 - PMC015
Please get in touch to discuss purchasing this album.

Broken Aesthetic
An album of electronic and electro-accoustic music. Ranges for more chilled out pieces such as the static meditation of Tuning Into Your Own Frequency to the full overdriven loops sound of Broken Aesthetic.
2001 - PMC014
Please get in touch to discuss purchasing this album.

Broken Aesthetic

Meditation On The Modern Age 1 - 4:35

Meditation On The Modern Age 2 - 3:55

Tuning Into Your Own Frequency - 8:59

Deconstructing the Amen - 4:58

Reconstructing Beauty - 4:31

The Drama And Repetitiveness - 4:40

Partying With Your Guard Down - 3:53

Broken Aesthetic - 7:23

But The Moment Is Precious - 0:50

And Things Are As They Are - 8:11


Wood, Brass, Nylon
Eight part album of improvised accoustic guitar music. A personal favourite of mine.
2001 - PMC013
See also: [sound board] [age of illumination] [outside the inside]
Please get in touch to discuss purchasing this album.

Wood, Brass, Nylon Wood, Brass, Nylon Part 1 - 3:11

Wood, Brass, Nylon Part 2 - 6:31

Wood, Brass, Nylon Part 3 - 9:01

Wood, Brass, Nylon Part 4 - 3:27

Wood, Brass, Nylon Part 5 - 3:34

Wood, Brass, Nylon Part 6 - 1:22

Wood, Brass, Nylon Part 7 - 1:55

Wood, Brass, Nylon Part 8 - 3:43


Dark adult pleasures, snake music, magic garden
2001 - PMC012
Please get in touch to discuss purchasing this album.

Dark adult pleasures, snake music, magic garden Alone with my feelings - 1:37
Drifting tones describe a slow journey through an introspective moment.

Dark adult pleasures, snake music, magic - 7:44
A piece of beats based music, that uses filter work, delay twiddling, and distortion to bring together a song that will romp all over your speakers.

I shall serenade her - 0:48
A piece of improvised free accoustic guitar work that draws on influences of both contempory classical and free jazz, as well as the romanticism of folk and gypsy music.

The small continuum - 12:20
The vocals of this piece draw upon the disechantedness of John Lydon and the disgustedness of Genisys P-Orridge to compliment the disturbing, shimmering, echoing guitar tracks in a piece that explores depths of pain and cynicism that Throbbing Gristle first plumbed.

Celebration in the salt mines - 1:13
A folky, rustic sounding piece of woodwind improvisation that is in the tonality of a previous century.

Total self control? - 20:13
An enormous, creeping melange of scary beats, quivering tones, tingly glass tones, and other sounds that propels and mutates to a atmospheric finish.

A severe lack of direction - 3:34
A synth drum loop drives along this song of jamming guitar, and haunting atonal tin whistle.

The path of desire - 6:41
Slow mutant blues jam, a beauteous piece with a ponderous bass vaguely reminescent of Killdozer, a classic piece of skewed blues psychedelic guitar, hand drums, and a meandering sample treatment. I want things when I listen to this song.

I'll have pleasure over meaning anyday - 1:11
Bizarre no-wave thrashy punk about the virtues of leaving language and the structure of our modern society, and returning to the behaviour patterns we evolved with.


Disturbed Bits 1-5
Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of it's parts" as it were. The first five were based alot in the power of running sounds over top of themselves to bring out certain interesting and powerful parts of them, long and involved explorations
disturbed bits #005 Disturbed Bits #005.001 - 28:35

Disturbed Bits #005.002 - 14:23
1999 - PMC011

Please get in touch to discuss purchasing this album.

disturbed bits #004 Disturbed Bits #004.001 - 43:00
1999 - PMC010
Please get in touch to discuss purchasing this album.

disturbed bits #003 Disturbed Bits #003.001 - 42:57
1999 - PMC009
Please get in touch to discuss purchasing this album.

disturbed bits #002 Disturbed Bits #002.001 - 29:23

Disturbed Bits #002.002 - 14:49
1999 - PMC008

Please get in touch to discuss purchasing this album.

disturbed bits #001 Disturbed Bits #001.001 - 42:09
1999 - PMC007
Please get in touch to discuss purchasing this album.

communication is an illusion
2000 - PMC003
Please get in touch to discuss purchasing this album.

communication is an illusion failed perpetual motion machine #003 - 17:37

communication is an illusion - 5:30
Inspired piece of atonal improvisational guitar - free jazz like if anything.

can't we all just get along, man - 30:03
The usual slew of noises, hisses, and haunting, groaning loops produce a sound that occasionally sounds like Merzbow, but usually just like nothing but Tangent Precipitate's unique sound.


the martian canals
A continuous piece/suite, an evolving enchanting pulsing soundscape
2000 - PMC002
See also: [the dream country] [driven by a private compulsion that threatens to overwhelm him] [Starcrusher] [post-movement]
Please get in touch to discuss purchasing this album.

the martian canals erosion - 15:19
Burbling water sounds, drawn out wind sounds and other organic noise combine to give an impression of the forces of nature at work.

information gathering exercise - 9:20

lost data transmission - 14:27
Great hooting loops slowly fade out to leave great long creepy echoey low tones and squealing squelching squalling synth tones.

recalibration - 7:09
Pretty synth loops contrast against long slow hissy but bassy wind style noises that give way to resonant squeals and long synth groans.

encounter - 8:27

stolen data - 13:00


failed perpetual motion machines
2000 - PMC001
Please get in touch to discuss purchasing this album.

failed perpetual motion machines failed perpetual motion machine #001 - 9:37
Shimmering drones and mindbending, menacing loops that warp and mutate describe an attempt to cheat the basic laws of thermodynamics through all means imaginable and unimaginable (an occasional series).

I think I'm getting it together now(midpoint of a journey) - 8:24
Beautiful twin guitar piece that moves from a rocking jammy riff into an slow atmospheric looping passage. With an atonal, tribal wind track.

digital ebola analogue - 12:57
Electronic sounds and wind are combined to create a mood of sick despair, decay, and a paranoid feeling of weakness and aloneness. Draws on the influence of Throbbing Gristle, and of primitive, tribal music.

failed perpetual motion machine #002 - 11:03
Multilayered tonal and atonal samples and noise, and tortured and changing loops describe an attempt to cheat the basic laws of thermodynamics through all means imaginable and unimaginable (an occasional series).

where we are (we are! we are!) - 19:07
The haunting call of a lost tribe in the depths of heat fever. A treated loop and improvisational wind make for an evocative and atmospheric piece.