Albums

an album of beautiful, relatively sparse instrumental playing, on acoustic and electric guitar and on clarinet. The instrumental methods and modes developed through the Tangent Precipitate era are bought to a more focused conception of improvisation and sound under the guise of this new persona.

Recorded live to minidisc by Evil Stan in 2003 in the Epuni St living room in Wellington, New Zealand. Voodoo Savage exorcises his demons in this series of impassioned acoustic songs.

Live at the Cross, Wellington NZ on the 4th September 2003. Rock in a country vein. For this release the Cowboys are Richie - guitar, Tony - guitar, Smiley - drums and Sam - bass.

Recorded live at Bodega in Wellington NZ on the 29th April 2003. With Rick playing alto sax and clarinet, Sam Stephens playing bass, and Smiley playing drums.

Recorded live at the Photospace in Wellington NZ in July 2003. With Rick playing alto sax and clarinet, Dick Whyte playing cello, and Sam Stephens playing double bass.

Recorded from a live to air broadcast on Radio Massey sometime in August 1998. Originally released on Lizardmull Records, Palmerston North's premier swamp label.

Cyberphobe's story of the failure of the world we live in. The long awaited album.

The moods, shades and places of the feedback drone interactions of three guitars explored, drawn into slow movement, complexity and drive.

This recording is deeply hypnotic, a miasma of huge pulses, a slow moving raft of shimmering tones.

This album is constructed from guitar drones, keyboard washes, and mutated samples.

An involved journey through a series of sound/psychic/sample spaces.

Pulsing sine drones, databending, and other less and more abrasive noise.

An album of keyboard/organ music. The first and third tracks are live recordings of a Hammond, and the second track is "...a live recording of keyboard through delay, played with a mind for interlocking/interweaving figures and exploring overtones - i find that listening to it intently sets me in powerful trance states."

Electronics and cutups. The title track uses Dada techniques of running two vocal tracks against each other.