Albums

Albums

Destroying His Name
pmc026 - 2002

Electronics and cutups. The title track uses Dada techniques of running two vocal tracks against each other.

Lines of Fire
pmc025 - 2002

CD of hand diced improvised remixes of material by Tangent Precipitate and from other sources. Could be called Plunderphonics improvised in real-time.

Interpreted
pmc023 - 2002

Forceful electronic music, and brute-force sampling.

Do This
pmc022 - 2002

Do This is an album with tracks in a mixture of styles. Do This itself is a collection of samples. Some of the other tracks are made up of samples, such as I Spent My Night, which is a free jazz cutup. There is also some electronic music, and a track of keyboard music, I Spent My Day.

Within the range of hearing
pmc021 - 2001

A mixture of sample based styles, some sequenced, some more abstract. Wood, Brass, Nylon Part 2 (Reclining Remix) is a very beautiful remix of a guitar track from an earlier Tangent Precipitate album.

Elevated states of consciousness
pmc020 - 2001

A variety of electronic and sample based music, from the rhythmically beautiful simplicity of Elevated States of Consciousness #001 to the more power electronic sample destroying sound of The Way.

Disturbed Bits 010
pmc019 - 2001

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The second set of five use pure granular superimposition to build tracks, with a different approach to most users of granular synthesis.

Disturbed Bits 009
pmc018 - 2001

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The second set of five use pure granular superimposition to build tracks, with a different approach to most users of granular synthesis.

Disturbed Bits 008
pmc017 - 2001

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The second set of five use pure granular superimposition to build tracks, with a different approach to most users of granular synthesis.

Disturbed Bits 007
pmc016 - 2001

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The second set of five use pure granular superimposition to build tracks, with a different approach to most users of granular synthesis.

Disturbed Bits 006
pmc015 - 2001

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The second set of five use pure granular superimposition to build tracks, with a different approach to most users of granular synthesis.

Broken Aesthetic
pmc014 - 2001

An album of electronic and electro-accoustic music. Ranges for more chilled out pieces such as the static meditation of Tuning Into Your Own Frequency to the full overdriven loops sound of Broken Aesthetic.

Wood, Brass, Nylon
pmc013 - 2001

Eight part album of improvised acoustic guitar music. A favourite of many.

Dark adult pleasures, snake music, magic garden
pmc012 - 2001

A whole variety of pieces electronic and acoustic, rhythmic and freeform, progress through a series of moods.

Disturbed Bits 005
pmc011 - 1999

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The first five work the power of running sounds over top of themselves to bring out certain interesting and powerful parts of them, long and involved explorations.