Albums

Forceful electronic music, and brute-force sampling.

Do This is an album with tracks in a mixture of styles. Do This itself is a collection of samples. Some of the other tracks are made up of samples, such as I Spent My Night, which is a free jazz cutup. There is also some electronic music, and a track of keyboard music, I Spent My Day.

A mixture of sample based styles, some sequenced, some more abstract. Wood, Brass, Nylon Part 2 (Reclining Remix) is a very beautiful remix of a guitar track from an earlier Tangent Precipitate album.

A variety of electronic and sample based music, from the rhythmically beautiful simplicity of Elevated States of Consciousness #001 to the more power electronic sample destroying sound of The Way.

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The second set of five use pure granular superimposition to build tracks, with a different approach to most users of granular synthesis.

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The second set of five use pure granular superimposition to build tracks, with a different approach to most users of granular synthesis.

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The second set of five use pure granular superimposition to build tracks, with a different approach to most users of granular synthesis.

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The second set of five use pure granular superimposition to build tracks, with a different approach to most users of granular synthesis.

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The second set of five use pure granular superimposition to build tracks, with a different approach to most users of granular synthesis.

An album of electronic and electro-accoustic music. Ranges for more chilled out pieces such as the static meditation of Tuning Into Your Own Frequency to the full overdriven loops sound of Broken Aesthetic.

Eight part album of improvised acoustic guitar music. A favourite of many.

A whole variety of pieces electronic and acoustic, rhythmic and freeform, progress through a series of moods.

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The first five work the power of running sounds over top of themselves to bring out certain interesting and powerful parts of them, long and involved explorations.

Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The first five work the power of running sounds over top of themselves to bring out certain interesting and powerful parts of them, long and involved explorations.