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pmc011 - 1999
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Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The first five work the power of running sounds over top of themselves to bring out certain interesting and powerful parts of them, long and involved explorations.
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pmc010 - 1999
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Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The first five work the power of running sounds over top of themselves to bring out certain interesting and powerful parts of them, long and involved explorations.
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pmc009 - 1999
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Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The first five work the power of running sounds over top of themselves to bring out certain interesting and powerful parts of them, long and involved explorations.
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pmc008 - 1999
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Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The first five work the power of running sounds over top of themselves to bring out certain interesting and powerful parts of them, long and involved explorations.
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pmc007 - 1999
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Disturbed Bits is a series of long pieces of beautiful and intense power electronics. They investigate the ability of the juxtaposition of treated loops of different varieties to create resultant sounds that are different in character from the source material, perhaps "greater than the sum of its parts" as it were. The first five work the power of running sounds over top of themselves to bring out certain interesting and powerful parts of them, long and involved explorations.
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pmc006 - 2000
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A variety of huge warping samples, intermittent brain busting beats, scary drones, and a generally powerful and intense aesthetic. With a keyboard interlude.
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pmc005 - 2000
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A dose of sloppy garage blues influenced rock, fucked up and angry. Minimal production and raw vocals have direct impact.
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pmc004 - 1998
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A cassette released as Tangent, before the projects split into Tangent Precipitate for solo music, and Zombie Prom Queen for the duo. With vocals by Voodoo T Savage and cover art by Reece.
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pmc003 - 2000
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More treated looping samples, with an acoustic guitar interlude, capture a poor emotional state better than was understood at the time the album was written.
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pmc002 - 2000
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A continuous piece/suite, an evolving enchanting pulsing soundscape.
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pmc001 - 2000
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Drones and loops, acoustic instruments, rock influences, and paranoia.
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