Each contributor created two mins of raw sound - a single track recorded live with no post-processing. After each set of four tracks arrived, they were blindly put together to create each track - as and when they arrived in Corporal Tofulung’s inbox.
The levels were adjusted so that quiet tracks could be heard. Otherwise there was no post production.
Leila Adu (NY) / somesurprises / Kate Olson / Unknown Rockstar at Hollow Earth Radio, Seattle, 1st September
8pm Pacific Time
Leila Adu travels the spaceways of music without limits. From tours of the US, Europe, Australia, New Zealand and the Far East, London’s Time Out says, ‘Avante-garde pop that recalls Nina Simone and Tim Buckley,” and Italy’s popular music mag Blow Up describes her last album Ode to the Unknown Factory Worker as “splinters of folk and blues but also hypnotic and ghostly prog.” Steve Albini who produced her second album dubbed her “Spooky Adu.”
Leila was awarded a doctoral fellowship in composition at Princeton in 2011 — the same year she was voted MTV Iggy’s artist of the week.
Leila’s unreleased fifth album and new live set take a new direction into Avantronica, replacing her acoustic sound for layers of, both live and pre-recorded, organ and vintage synth mixed with Ableton Live music software. The live set is a duo of Leila’s vocals, synth and piano with New York based Italian drummer, Federico Ughi who divides his time between New York and international tours with legends such as Daniel Carter, William Parker and spends time playing with Ornette Coleman and her latest recordings with kiwi beatmaker/drummer, Riki Gooch.
Release of "Another Year Older And Deeper In" by Unknown Rockstar
Unknown Rockstar has released Another Year Older And Deeper In. Deeper in what exactly? Deeper enmeshed, deeper commitment to the consequence of decisions, deeper related to the world? A rediscovery of the clean guitar, unadorned except for the most basic of loop pedal usage.
Release of "Found pianos of Capitol Hill" by Unknown Rockstar
"I was walking through Capitol Hill, Seattle one weekend, and encountered an abandoned piano at the side of the road. I decided it needed a final piece of loving, so I recorded it in my phone. The next week I found the piano had been joined by a second, and both pianos had had their keyboards smashed. So I played the strings directly. Both pieces reflect the decay and misuse of the pianos, and the environment they spent a short time in before going to their final resting place."