The recordings were made in 2015 - 16 in Washington DC, Forth Worth and Auckland. You can feel the spaces of a three-story concrete stairwell, an echo chamber on a busy street, a concrete bunker room, and ‘Vortex’, Richard Serra’s 67 foot high weathering steel sculpture. You can hear the sounds of mixing bowls, water, tin cans, clapping, footsteps, dental impressions, dental floss, a partial denture, a hand-carved wooden knife, a metal water bottle, a screw driver, an umbrella, piano, chairs, a bird whistle, keys, a slide whistle, a glass sugar bowl, a recorder, tin whistles, traditional Korean bells, a whisk, & Doris (pvc pipe with elastic and bottle caps).
Cyberphobe: a non-musical entity of intermittent output nursing a collection of aging synthesizers, effects units and recording equipment and producing the occasional piece of musical collage. The resultant albums offer a jaundiced view of contemporary society and all who sail in her, fleshed out with voices as diverse as Sylvia Plath, George W Bush, John Cage and Arnold Schwarzenegger, and music from all corners of the planet. We try to be inclusive - no-one escapes our scorn and loathing. If you're not us, you're against us and we hate you.